Each of my work develop new strategies for researches, discovering experimental forms and challenging the theater dramaturgy.
With Asteria I’m developing the piece through an iterative process of composition using the concept of “eternal recurrence” – a central point in the writings of Nietzsche: with infinite time and a finite number of events, events continue to recur again and again infinitely..
According to the philosopher view, the eternal recurrence proposition is a proof of the absurdity or meaningless of life, a proof that no meaning was given to the universe from on high.
I create a recurrent choreographic structure, developed with a cycle alternance of the material. The compositions of ASTERIA vary according to the specific element to the piece: bodies, principles of movement and/or choreography, sound composition, light and spaces. Each ASTERIA elaborates new parameters of variation and comparison that discuss the concept of Eternal recurrence.
This is a woman piece. I chose a woman mythical Greek figure – Asteria- to incarnate a system of multiplication, a symbol of potential and interpretation.
The woman embodies the natural cycle and potential of life by her condition.
In a cyclic energetic space, the solo occurrences interconnect and reveal the potential body transformation through the time.
The number of performative events will provide the variety of ASTERIA within a great spectrum of temporality.
The connectivity and interferences of the bodies in ASTERIA and the variety of the composition forms - with a collection of information from the spaces, performers and the evolution of the choreographic form- evoke the eternal recurrence of Nietzsche. Therefore it questions his idea: It will shown the possibility of each life identified as a unique experience repeated infinitely as well as demonstrate how the impact of temporality creates systematically new forms and experiences on each of them.